In our sport, we usually refer to the people with whom we take lessons as either “coaches” or “teachers”. Have you ever asked yourself, “Is there any difference between the two?” In this article, I will discuss the differences between a coach and a teacher.
Your connections with those who influence your development make the biggest difference. Teaching is more of a one-way relationship. One person with more knowledge teaches another who wishes to acquire it. Coaching, however, is interactive. It is a cycle where the coach regularly checks your progress to give further instruction.
Although someone might be able to teach a single class of hundreds of students, they wouldn’t be able to coach so many students simultaneously. A teacher can educate you even if they know nothing about you. A coach must personally know everything about you and your partner so they may become efficient in your development.
We aren’t talking only about deciding training plans or to which competitions you will go. Your coach must know you as a person first. A good coach knows who you are, and that lets them bring the best dancer out of you. A coach understands how you think, how you react to difficulties, and how you compete under pressure. A teacher wouldn’t necessarily pay attention to those characteristics.
There may come a time when you’re not so happy with your performance; it’s a struggle every dancer faces. To whom are you going to run to find out what didn’t work and why? That teacher—maybe even one of the greatest teachers in the world—who taught you one lesson six months ago? Or your everyday coach?
Your coach is the person who follows your everyday progress; the one who knows every detail of your career—your past and your present, your relationship with your partner, your greatest strengths and your most stubborn weaknesses.
Furthermore, your coach alone knows the details of your recent dance endeavors. They know what you’ve worked on and improved, and what you haven’t gotten to just yet. Your coach can advise you on what to fix at your particular level—maybe even between rounds.
A teacher will not answer your call in the middle of the night because you missed your flight to a competition. A coach will. A teacher will not necessarily be available to listen to you when you need to talk about the obstacles you face with your partner. A coach will.
At the end of the day, a coach wants to see you succeed as much as you do. Coaches will be there at your side on your path, and they certainly feel more accountable for your progress than a teacher.
3. Technical Level
As I mentioned earlier, teachers must offer a higher level of knowledge. That’s why it is important that you don’t confuse the two figures—the coach and the teacher—in your career.
If you begin taking lessons from an unqualified teacher, you will have to choose a better one sooner or later. However, this doesn’t mean that you’d have to choose another coach too. If you manage to strike the balance between their coaching and the information the most qualified teacher gives you, that’s fine, it works.
You might be lucky enough to find a great teacher from the very beginning of your career. In that case, you can be sure that they will offer valuable information for every step of your journey as a dancer.
Finding and keeping a coach is another story. A coach can be of any level. It’s not new in dancesport to see someone who used their skill to develop a couple from zero to the top—even if, as a dancer, he or she didn’t have world-class results. Coaching and teaching require a different skill set and a different approach. Thus, a coach’s overall technical level is not so significant.
The beauty of coaching in dancesport
It might be a person’s choice to be either a teacher or a coach, but sometimes it isn’t. There are times in dancesport when a person happens to be “all in one”: a coach, a teacher, a parent, a friend, a partner.
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Why go to Training Camp and Which International Training Camps are the most famous for Dancers?
In addition to daily training, specific preparation for a Competition or for a season is essential for an athlete. Usually, before the competition season starts, there are several Training Camps organized by great dancers or clubs. What is pursued by attending a Training Camp level is to closely observe other couples how they execute their technique and also receive valuable details of the main international coatches in thematic group classes, and in case you choose a particular class, get the «tailor-made» advice of a coach specifically understood in what you want to improve.
The aim of the Training Camps is therefore to help each athlete to become a better dancer through mastery of the technique and learn the key principles of Dancesport from the best teachers.
In recent years, we have seen a significant change in the Dancesport Approach. Currently you have the opportunity to be observed, analyzed and corrected by the world’s leading specialists. You just have to know what you want to improve and which teacher is ideal for you.
A level Training Camp must be well planned, structured. Group classes must touch different aspects and each teacher must contribute that subject or aspects in which it is more specified. The role of the organizer is essential by selecting the most suitable and elite International Coaches Panel. Not only choose specialists in Latin and Standard. There are coatches specialists in pure technique, others in the artistic manifestation, others scan you and tell you clearly in which aspects of the many that there are more lazy and you should improve, or in which dance you are below the others, perhaps because the choice of some figures that are not correct for your characteristics as a dancer. Sometimes the characteristics of the boy as a dancer are not ideal for dancing with the girl with whom he dances or vice versa. This happens because there are different «types» of dancers and sometimes in the couple «he is not for her and vice versa».
This has two solutions: that someone who understands you say it – difficult because it is a delicate matter – or be in the hands of a great specialist who knows how to look for the right figures and the correct execution of them to try to «join the water with the oil».
There are international teachers like Ilya Danilov who is a living Scanner. That is why they call it «ORACULUS». If he wants and you ask him, he can revolutionize your life in an instant. I could tell you: he is not for you or you are not for her. In 1 minute of your dance vision, he will know more about you than you can ever imagine. I could also tell you which figures are not for you and configure a program according to your characteristics. But be careful if you ask for maximum sincerity: you can leave a class confused with him.
It is better that you go with the very clear ideas of what you want to ask the teacher. The 45 minutes run very fast and are very expensive. The best thing is something specific, convey what you need in a specific way in the first minutes of the class. Before you, you must have made a reflection of the most important thing you need and the exhibition begins must be clear and concrete.
If you do not go with the concrete ideas, the teacher will give you a generic class that may be more successful or less, and you will know little by little. It’s up to you that the class is worth it.
A great international coach (not everyone) knows how to do this, but of course, it will not be easy to be offered or offered at the first. It is something that goes out of the ordinary, you will need an approach to that teacher to enter that field.
The normal dates to attend a Training Camp is in summer to prepare the competition season that begins in August-September. Also at Christmas-New Year. But there are other Training Camps at other times of the year that are very interesting to attend.
In a few years, we have moved from a few closed camps, focused on training, to several camps each month with the best teachers and couples from around the world.
So you understand that you can get a good Training Camp. I mention below the pros and cons of a Training Camp point of view of a dancer:
1. Time saving
You can have lessons with many teachers in the same place. You save money and time, compared to the previous system in which we needed to fly or drive each teacher separately.
2. Increased motivation
You can find a larger group of dancers to train. Your presence will inspire you and motivate you to do better. You will hardly find elsewhere the same adrenaline and energy you get during resistance training in a training camp.
3. Expand your device
You can expand your group of favorite teachers. In fact, it can sometimes happen that I book a lesson with a teacher just because he / she is on the training camp list. But in the end, you can get an unexpectedly surprising lesson. Then you wonder why, until that moment, you have never considered studying with that teacher.
You can also read our other article on how to find the right teacher for you here.
4. You will be noticed
Compared to competitions, the atmosphere in a training camp is generally more relaxed. The people around you have more time and will look at you with different eyes. If you really are a good dancer, but you still don’t have a large audience, during training camps people will notice you and start taking you into account.
5. Make friends
In a training camp, dancers can let others see how they really are in normal life. Teachers and other dancers can sometimes have a distorted idea of you if they only met you during competitions. During a training camp, you have a good chance to turn your enemies into friends.
6. Level up!
It is very common to see a couple improve their level day by day during a training camp. Be it the amount of information, the quality of the lessons or the contagious emotion, the truth is that the training fields help you grow and improve. The truth is that it happens often and that is one of the main reasons why so many dancers attend training camps.
1. A training camp can be really expensive
A training camp can be quite expensive. If your budget is not large enough to be free-minded and simply take and leave, try to plan ahead. Start saving money!
The actual price you will pay per lesson may be higher than usual. In fact, most of the time, you will have to pay an additional price that goes directly to the organization … This surcharge allows organizers to pay for plane tickets, accommodation and transportation for teachers.
3. The energy level.
The quality of the private lesson you get can vary greatly. As teachers are working up to 12 or 14 lessons per day. At the end of a long day, your teacher may not be able to give his 100%.
4. It will affect your program
As a training camp is generally not planned for weekends and lasts several days, it can be a problem for those who cannot easily get free time or reorganize their schedule.
5. Contradictory information
The amount of information you are going to get is huge and everything happens in a very short time. This will usually create some problems. Sometimes the information you receive is contradictory. A teacher will say one thing, and the other exactly the opposite. The funny thing is that both things may be true, but it is difficult to combine the information. You have to let the knowledge be absorbed.
In addition, it may not be easy to practice all the knowledge you acquired before starting the next lesson. Therefore, you can easily forget what you just learned.
6. Too easy? Too hard?
Very often you will see that there are different levels of participants, from juniors to seniors, from beginners to advanced. The teacher has to find a way to run a workshop that is interesting for everyone. But, this is going to be a problem for you.
Sometimes, they organize different groups for younger students or for older people. However, sometimes this is not happening and the group lesson ends up not being useful. For example, if you are a beginner and the teacher is playing a topic that is too difficult to understand or, conversely, if you are a high-level couple and the topic is too simple for you, time and money are you investing It won’t be worth it.
Once analyzed what can be useful to attend an International Training Camp, we will mention below the main International Training Camps both WDC and WDSF.
1. THE CAMP – Wuppertal, Alemania
But what makes this Training Camp so good?
First, it has some of the best teachers in the industry and the location, the Historic City Hall, is absolutely stunning. Everything is very well thought out and the purpose is to leave Wuppertal inspired and focused.
Here is the list of teachers of the 2019 edition
2. Dancing Superstars Festival – Bremen
In 2019, the Dancing Superstars Festival will be in its sixth edition and is announced better than ever. The coaches who will organize the workshops are some of the greatest legends: Slavik Kryklyvyy, Catia Vanone, Fabio Selmi or Julie Fryer, to name a few.
3. Summer Dancecamp – Dinamarca
What is a summer without this Training Camp? Well, the perfect one would be Summer Dancecamp. Why is it perfect? They are, as they say on their website, an «independent dance camp for federations, dance schools, clubs and organizations: all are welcome regardless of their affiliation.»
World champions Kristina and Peter Stokkebroe and Frank Høgh are in their eighth year organizing this camp for all dancers of any level to come and learn from the best. For us, it seems the perfect environment where every dancer will feel welcome.
4. Edita Daniute International Training Camp – Trakai
Coaches: Edita Daniute, Mirko Gozzoli, Fabio Selmi, Pietro Braga, Salvatore Todaro, Catia Vanone, Alexey Silde, Alessandro Firmo, Marek Chojnacki, Michele Bonsignori, Anastasia Titkova.
5. Team Vivo Latino with la Grande Orchestra Italiana – Italy
Between July 19 and 21, in Italy, Team Vivo Latino is organizing the largest Training Camp for international training and competition in southern Italy. The Training Camp and the sson competition in Mariotto, which is 30-40 minutes away by car or transfer from Bari-Palese airport.
The Vivo Latino Team Training Field has one of the best coach selections.
- Hans Galke
- Sergey y Melia
- Paul Killick
- Andrej y Melinda
- Viktor Nikovskiy
- David Yin
- Goran Nordin
- Jukka y Sirpa
- Maurizio Vescovo
- Joanna Leunis.
6. S&F Camp – Moscow
The Training Camo S&F is organized by Alexey Silde and Anna Firstova, mainly dedicated to Latin. It is held at the Crocus Expo usually in early January and the second time is at the end of August and lasts 5 to 6 days. During these days, the schedule looks like this: in the morning you have stretching sessions, around 4 PM you will have general physical preparation and in the evening there are practice sessions.
7. ZK Camp – Moscow
The ZK camp is organized by Dmitry Zharkov and Olga Kulikova and is dedicated only to standard dancers. Like the S&F Camp, it is celebrated in Moscow at the Crocus Expo. The first ZK camp is in early January and the second time is in September and usually lasts 3 to 4 days.
The schedule of the day is divided into two parts: physical preparation and practice sessions at night. In addition, there are separate groups for children up to Junior II and separate groups for young people. In charge of these groups are the teacher assistants: Matteo del Gaone, Evgeny Nikitin and Anton Besedin.
🔵🔴⚪️ZK SUMMER DANCE CAMP ⚪️🔴🔵Every Tuesday 10:00-2:00pmAge 3-6 WelcomeHoly Cross Church Hall, CH49 7LS£10 per child Contact Zacc for more information ZK SMASH THE SUMMER 2016 ☀️☀️☀️
8. International Championships Preparation Quality Camp – Warsaw
It is organized by Lukasz and Aleksandra Tomczak from September 13 to 16 in Warsaw, Poland. As the name implies, this Training Camp is dedicated to those who are preparing to do their best in the International Championship that normally takes place in October of each year.
9. Mabo Training Camp – Italy
The third week of September you can usually participate in the Mabo Training Camp and receive valuable information from some of the biggest legends in the industry.
10. Transylvanian Grand Prix
The Transylvania Grand Prix is one of the most important dance events in Romania. The best WDSF couples from around the world attend and fight for a place in the final. The best thing about this event is the Transylvania Training Camp, which brings together teachers such as William Pino, Pietro Braga, Barbara Ambroz, Giordano Vanone, Colin James and many others.
11. Royal Dance Summer & Winter Camp Spain
Organized in the first week of January in winter, and in the first week of August in summer, the famous international coatch Karina Rubio organizes one of the most outstanding Training Camps, which also advances in prestige at times.
The cast of teachers that come is fantastic. It is a Training Camp especially prominent for Latin dances and very well organized.
12. Master Evolution Benidorm -Spain
Organized by a group of teachers such as Piegro Braga, Valeri Ivanov, Frederic Mosa, etc. (Dance Sport Team), a very special Training Camp is organized in Benidorm in January, just before the prestigious DANCESPORT CUP International Competition.
The organization works to create 2 specific events within the Training Camp itself: Mater Evolution Latin and Master Evolution Standard.
The cast of top-tier coatches is spectacular.
13. Gold Camp Bilbao -Spain
In the middle of October of each year the Bilbao Dancesport Cup International Competition is held in Bilbao- Spain.
Just a few days before, a prestigious Training Camp is also organized, which every year enjoys a presence of couples and category.
Por Frank Gascón – DancesportNews.info
Which Heel is the Best for Ballroom?
A guide for men’s dance shoe heel types
In dancesport, there is a tight connection between comfort and performance. As a result, this directs us from a very young age towards particular brands or models that make us feel good and therefore perform better. If you remember in my previous article, I discussed how tail suits need to be made to fit you perfectly. Even the shirt you wear under the tail suit impacts the end result. That said, when it comes to dance shoes, each dancer has their own preferences.
In this article, we will only compare the different types of heels and try to determine which is best for you.
The traditional heel – also called the “Oxford” or the “Gibson” – is timeless. It’s the heel that has never changed along time. If you are old enough, this is surely the heel you started dancing with and maybe still use to this day.
Nothing special has been added to this model; it’s comprised of a flat base, a suede bottom, and a slightly rounded and slanted top to be as ergonomic as it can in its simplicity. Despite the limited comfort this heel offers, it’s very stable and quite durable.
As ballroom dancers gradually increased their dynamic on the floor, they required a heel that allowed for easier movement. More specifically, they wanted to be able to create a larger movement with a lesser risk of sliding out of control on the parquet.
Dance shoe manufacturers solved this issue by rounding the edges and lifting the suede sole. By losing a small portion of the standing area, greater control is achieved when using the heel. Furthermore, the edges won’t wear off as quickly as the traditional one does.
We see a similar idea in the slanted-heeled shoe; the back has been inclined to offer better control when making a big step through the heel. But where the suede in the rounded shoe is lifted to cover the rounded edges, the suede in this shoe simply follows the slant of the heel.
This heel is a good compromise for those who like the stability of a traditional heel but are searching for better comfort and control when increasing the size of the step.
Lately, placing a layer of soft rubber between the suede base and the heel itself has gained popularity. This shoe’s comfort is second-to-none, especially the “noiseless”, soft-touch feeling that you get in every step, even if you don’t do a perfect bodyweight transfer (with a traditional heel, you would make a horrible sound that everyone in the hall would hear)!
For some dancers, the cushioned heel might feel less stable than other models, but if it’s comfort you’re looking for, this is the heel for you. But, beware:the soft layer wears off quickly!
Other Available Options
Of course, you can find numerous other kinds of heels, especially in rubber and other, less traditional materials with shapes that can vary significantly from those mentioned above. Many dancers prefer to use these only for teaching. Standing and working for many hours can be difficult; it can tire you if not you’re not using comfortable and ergonomic shoes. Some models of this kind of shoe may be suitable for competitive use.
Just try them yourself and find the one that suits you best!
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15 Pieces Of Advice From Emanuel Valeri & Tania Kehlet
Emanuel Valeri & Tania Kehlet are one of the most loved standard dancers. Their long career has been filed with great results both in Amateur and Professional division. Among their best results are titles like Blackpool Amateur champions and WDSF World and European Professional Standard champions – WDC & WDSF.
In our podcast with Emanuel & Tania, we have discussed many things, but here are 15 pieces of advice from them:
1. Don’t talk more than you dance. We need to use the body, not the mouth.
2. Competitions are important but don’t forget to have fun.
3. When you’re in the studio practicing and having lessons you need to be there 100%.
4. You have to be prepared mentally and physically. If one of these two is missing, you’ll have problems during the day of the competition.
5. Respect each other as dancers and as human beings. Respect your competitors and your teachers.
6. I am a big believer in not having huge teams. Big team = many opinions.
7. You must be sure about what you really want to bring to the dance floor.
8. You cannot have just one lesson and say this teacher is good or bad. You need to give it a bit of time to find the connection and coordination.
9. You need to go away a little bit sometimes from the natural tuning waltz.
10. I would like to see a little bit more the girl in the couple – the male dancers are trying to cover too much the ladies.
11. Stay focused on creating proper quality dancing. The quality of movement and technique behind it is the solution to having a better performance.
12. Do not go for fast solutions.
13. PRACTICE! Spend as much time as you can really practicing.
14. As a teacher, you need to understand who you have in front of you. Every couple is different and every dancer is different.
15. Stick to what you really know and to what you are 100% sure of.
If you want to listen to Emanuel Valeri & Tania Kehlet’s story and find out what else they’ve shared with us, make sure you listen to the full podcast here.
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