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Becoming a Dance Teacher – When Dancesport Becomes Your Job

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There comes a moment in the life of a ballroom dancer when they must decide if they want to start teaching.. Your consistent training took you up to the point where you realize this is your life now and it can be your everyday job. Or perhaps it’s not you who chooses to become a teacher and is just a mere result of your hard work. Being a good dancer and having great results will automatically make people want to have lessons with you.

In one way or the other, that moment is significantly going to change your relationship with dancesport. Not only will you take lessons to be a better dancer but to become a better teacher. You’ll start to see competitions with a different eye: you’ll look around and watch the other couples from a different perspective. Somehow you’ll see things in a more mature and clear way.

Understanding when is the right moment to start teaching

Clearly, there are a lot of different possible situations when the idea of becoming a teacher really takes hold. Nevertheless, you will feel that you need something more in your dancer’s life.

All the other reasons that might pop into your mind could be too personal and too specific. Some do it for the money, some because they have been asked and others do it for fun or as a second job.In any of these cases, the common reason is that being just a dancer is not enough anymore.

I can safely say that being a teacher completes you as a dancer. It teaches you things you didn’t know about right until you started giving lessons.

Thinking you are not ready for becoming a dance teacher

At any level or age, you can be a good teacher or the contrary, an ungifted one. It’s just a matter of relation between you and your student: you should always be much more experienced than the one you’re teaching.

If you are young and not highly skilled yet, you should better start with a beginner group, maybe a children class in a school. In their eyes, express authority, even though you’re not an adult.

As an adult but not very experienced yet, you should start teaching some social-dance groups. There, people attending your class will trust you because of the big difference in knowledge between you and them.

If you are an experienced young dancer, you may fear that teaching to older dancers will not work well. I am encouraging you not to be afraid at all. Just make sure that they know how good you are and the results will speak for themselves.

Going all in or thinking of other alternatives as well

There’s no guarantee that you will become successful at being a teacher. Maybe if you start teaching in your coach’s studio where there is already a good amount of students that trust you and know who you are, you can be more free minded.

But if you’re starting from zero, better to do it little by little. For example, if you are still a student, keep going to university but also start giving some lessons to gain more experience. Or if you already have a job and you want to switch to becoming a dance teacher, try to do this transition gradually. Quit your job only when you already have a considerable number of students and your yearly schedule is pretty stable.

If you don’t have a choice and you must go all in, then invest all your skills to grow both the number of students and your reputation in the dancesport world in the shortest and healthiest way possible. Every decision you make today will affect your future in this industry.

If you want to find out more about what it means to be a teacher, especially for children, make sure to check my other article. 

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The post Becoming a Dance Teacher – When Dancesport Becomes Your Job appeared first on Dancesport Life.

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NEWS

German Open Championships 2019

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The biggest and most awaited World DanceSport Federation (WDSF) event of the year has now been archived with more than 4,000 registrations, 58 present nations, and 45 different competitions. Once again, the 33rd edition of the German Open Championships 2019 gave people unique sentiments to remember for a long time.

The Professional Division

The competition week started with the WDSF PD Super Grand Prix Latin. Gabriele Goffredo and Anna Matus confirmed to the world that they are, without a doubt, number one in their category, boasting a near ten-point gap between them and Marts Smolko and Tina Bazykina, the runners up.

German Open Championships 2019

Not only was a night full of energy and sparkles, but of strong emotions too, as Alexandr Shmonin and Maria Shmonina announced their retirement from their competitive careers.

Day after day, the feelings grew to their highest peak, when Dmitry Zharkov and Olga Kulikova performed outstandingly on the floor of the Beethoven Saal – the same floor that saw them win the Amateur title twice, in both 2017 and 2018. 

German Open Championships 2019

“Today we felt really free mentally, and it made us fly. The main importance to us was to dance: to dance really from the bottom of our hearts, and we loved it!”
Dmitry Zharkov & Olga Kulikova
-after winning their first PD Super Grand Prix Standard

The Amateur Competitions

Standard

The amazing performances of the pros fired up the Amateurs’ atmosphere in the last two days of the German Open Championships 2019. It’s tough to surprise the public with marvelous dancing after a lineup of professionals. Nevertheless, the top amateur couples weren’t worried at all.

On Friday, the title of the Grand Slam Standard Champions went to Evaldas Sodeika and Ieva Zukauskaite, who earned a standing ovation after their spectacular Quickstep. Therefore, the adjudicators noted it more than a full point higher than that of the runners-up, Francesco Galuppo & Debora Pacini

German Open Championships 2019

The real fight, though, was between Moshenin-Spitsyna and Glukhov-Glazunova for the bronze medal. In the end, Evgeny Moshenin and Dana Spitsyna got the third place by only 0.169 points!

Latin

At the German Open Championships, Saturday night rhymes with latin night! 

This time was a special edition for the home public; two German couples claimed the highest podium steps. Nonetheless, Marius-Andrei Balan and Khrystyna Moshenska confirmed their title with their unique and passionate dancing. Still, Timur Imametdinov and Nina Bezzubova – the silver medalists – put on a stunning show as well. 

German Open Championships 2019

Why are the German Open Championships so special?

The German Open Championships holds a very special place in dancers’ hearts. It might be because of the beautiful venue, the orchestra, or the importance that this event has gained over the course of its rich history. 

Whatever the reason, what really matters to those who love dancesport is being part of it and experiencing the feelings that can only be given to you by the German Open Championships.

The Medal Table

 

   🥇

   🥈

   🥉

1. Russian Federation

      17

       9

       9

2. Germany

        5

       6

       3

3. Moldova

        5

       4

       2

4. Italy 

        3

       4

       6

5. P. R. China

        3

       5

       0

6. Romania

        1

       4

       4

7. Latvia 

        2 

       2

       2

8. France

        1 

       2

       2

9. Lithuania

        1

       1

       3

10. Slovakia

        2

       1

       0

11. Japan

        0

       2

       2

12. Norway

        2

       0

       0

13. Spain

        1 

       0

       2

14. Canada

        0

       1 

       2

15. Finland

        0

       2

       0

16. USA

        1   

       0

       0

17. Netherlands  

        0

       0

       2

17. Spain

        0

       0

       2

19. Austria

        0

       0 

       1

19. Bulgaria

        0

       0

       1

19. Thailand

        0

       0

       1

Useful Links

  • Official GOC website
  • German Open Championships 2019 Results
  • WDSF Official Results
 
If you are really curious to find out more about some of the names mentioned in this article, make sure to check Dancesportlife’s interviews at the Bucharest Grand Slam.

The post German Open Championships 2019 appeared first on Dancesport Life.

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Mirko Gozzoli & Edita Daniute: Our Vision For The Presentation Before The Dance

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In our online course with Dancesportlife Academy, we have touched a lot of important subjects in the ballroom dancing world. We shared our vision starting from personal posture to couple’s hold and going to key principles and choreography. But we also discussed one topic that is not often explained by teachers: the presentation before the dance. 

How important is the presentation before the dance?

The answer is: very important!

At the competition, before we start the dance we need to introduce ourselves. It’s very important even how we walk onto the dance floor, let alone how we present our partner in the correct place!

So here are a few things that you need to check if you want to have a good presentation on the dance floor.

The walk

First of all, you need to decide on which side, corner or space of the floor you need to start. But be careful: you also need to be flexible to change your spot if there are too many couples in your spot. 

How you walk on the floor is one of the most important aspects. You need to take your time so that it doesn’t look like a race for the most wanted space of the floor.

Walk with confidence and show yourself to everyone! Then you select your corner and wait patiently while the MC/Chairman counts the couples.

The invitation

We are ballroom dancers, thus an elegant attitude is a must! The man is wearing a tail suit and the lady is wearing an exquisite dress: we need to invite her in an appropriate way. 

The man’s invitation should be in relation to the music. So, if I have a waltz, the invitation will be on the first bar of music. Once the partner arrives, we take our hand position. We should take the hand position in relation to the preparation step, like this will all look very natural and not mechanical. 

Everything should blend and be in harmony! 

The connection

Be also careful with the space between the man and the lady! If you stand too close, you may end up looking a bit panicked as if you would need each other’s protection. 

The connection is very important, as there are many couples that too far away from each other and they look like they don’t even dance together. Furthermore, it will be unclear for the lady how exactly she should be positioned.

The bow at the end of the dance

This is also a very important part, as it the last impression that you leave to the audience and the adjudicators. 

We suggest that you bow in the same direction and, if possible, have an underarm turn and then a bow. Never leave your partner alone! 

Mirko Gozolli & Edita Daniute: Our Vision For The Presentation Before The Dance

 

The small details are the ones that make a difference and always remember to take the appreciation of the public and not ask for it!

If you want to have access to all the episodes from our online courses make sure you go to Dancesportlife Academy and check the available packages.  

The post Mirko Gozzoli & Edita Daniute: Our Vision For The Presentation Before The Dance appeared first on Dancesport Life.

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NEWS

Mirko Gozolli & Edita Daniute: Our Vision For The Presentation Before The Dance

Published

on

In our online course with Dancesportlife Academy, we have touched a lot of important subjects in the ballroom dancing world. We shared our vision starting from personal posture to couple’s hold and going to key principles and choreography. But we also discussed one topic that is not often explained by teachers: the presentation before the dance. 

How important is the presentation before the dance?

The answer is: very important!

At the competition, before we start the dance we need to introduce ourselves. It’s very important even how we walk onto the dance floor, let alone how we present our partner in the correct place!

So here are a few things that you need to check if you want to have a good presentation on the dance floor.

The walk

First of all, you need to decide on which side, corner or space of the floor you need to start. But be careful: you also need to be flexible to change your spot if there are too many couples in your spot. 

How you walk on the floor is one of the most important aspects. You need to take your time so that it doesn’t look like a race for the most wanted space of the floor.

Walk with confidence and show yourself to everyone! Then you select your corner and wait patiently while the MC/Chairman counts the couples.

The invitation

We are ballroom dancers, thus an elegant attitude is a must! The man is wearing a tail suit and the lady is wearing an exquisite dress: we need to invite her in an appropriate way. 

The man’s invitation should be in relation to the music. So, if I have a waltz, the invitation will be on the first bar of music. Once the partner arrives, we take our hand position. We should take the hand position in relation to the preparation step, like this will all look very natural and not mechanical. 

Everything should blend and be in harmony! 

The connection

Be also careful with the space between the man and the lady! If you stand too close, you may end up looking a bit panicked as if you would need each other’s protection. 

The connection is very important, as there are many couples that too far away from each other and they look like they don’t even dance together. Furthermore, it will be unclear for the lady how exactly she should be positioned.

The bow at the end of the dance

This is also a very important part, as it the last impression that you leave to the audience and the adjudicators. 

We suggest that you bow in the same direction and, if possible, have an underarm turn and then a bow. Never leave your partner alone! 

Mirko Gozolli & Edita Daniute: Our Vision For The Presentation Before The Dance

 

The small details are the ones that make a difference and always remember to take the appreciation of the public and not ask for it!

If you want to have access to all the episodes from our online courses make sure you go to Dancesportlife Academy and check the available packages.  

The post Mirko Gozolli & Edita Daniute: Our Vision For The Presentation Before The Dance appeared first on Dancesport Life.

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