Bianca: If you could tell us a little bit about your book. How did you decide to put your story into a written form and inspire others?
Darla: I was having great success as a top Pro-Am for the past several years and then I had a groin ache in my left leg that went down the whole leg. I was seeing chiropractors, doctors and all kinds of doctors to try and heal this. Nevertheless, it became quite apparent that I was headed towards a hip replacement surgery.
After I wasted time with the chiropractor doctor and the orthopedic doctor, a friend of mine got me a special referral to see this retired surgeon. He was a former chairman of the Orthopedic Section at a large hospital and a world-traveled researcher. He pretty much told me the same things as the other doctors: I should put off hip replacement surgery because at 50 years old I was considered too young (hip implants are supposed to last only 15 years).
So this wise expert offered me no sympathy nor solutions. I told him I was anxious to get back to ballroom dancing competitions and he told me that I would not be able to dance again after the hip replacement surgery.
Bianca: We can come back to “doctor Wise” a bit later on. What I would like to know about a bit more is how you started dancing and how did you fall in love with it?
Darla: For many years I have been a competitive equestrian and I was jumping horses. I had no interest in anything else. I did play a bit of tennis and golf. There were some events with ballroom dancing on TV but I just wasn’t interested.
When I was around 40 years old I was sort of getting burnt on the whole equestrian scene. One day I turned on the TV and I think it was the World Latin Championship. I was completely mesmerized.
I was really attracted to the body movement to the music and how the body interprets the music. Of course, when you’re a beginner you just learn the steps and the timing. It was a long evolution from a beginner to an advanced dancer.
Bianca: And how did the partnership with your now-husband Jim Maranto start?
Darla: I first met Jim at a dance camp. I was a beginner, just taking some classes. He was a really good teacher and a two-times Professional American Smooth champion. About a year later, I was taking lessons at this little studio in Charlottesville, Virginia and they invited him to be a guest instructor because we had some of his teaching videotapes. I took a couple of lessons with him and we just fell in love and started dancing together. He basically taught me everything I know about dancing.
Bianca: Moving the discussion towards the medical aspects, what advice would you have for people who might think they have a hip problem?
Darla: Too many doctors and medical professionals don’t really understand the classic symptoms of a hip problem, like the chiropractor who told me “Oh it’s definitely not your hip”.
I want doctors to be honest with patients and not mislead them to believe that drugs, physical therapy or steroid injection are going to magically fix the severely deteriorated hip joint. Sometimes the only solution is surgery and the only magic that’s gonna fix the problem is the scalpel in the hand of a skilled surgeon.
I really want patients to know that they don’t have to suffer from chronic pain for many months or years. If you have severe groin pain go get an X-ray. Then, find a doctor who’s experienced and has the knowledge and confidence to tell you what is possible after the surgery.
Bianca: Ballroom & Latin is such a different sport and someone who does not know much about it might not take it seriously. Do dancers need a special type of doctor that has more knowledge about this sport?
Darla: I definitely think one who is intuned with athletes and sports medicine would be more informed, but this “doctor Wise” that I went to has been all around the world doing research on hip replacement. I would’ve thought he would’ve been the foremost and utmost authority on the subject, but he was clueless.
Then, when I went to my surgeon in Arizona he said: “Yeah, your X-ray is terrible and you have to get a hip replacement, but I’ll have you dancing again in no time”. He knew what is possible and the other one had no clue.
By choosing the right doctor I became a US Champion 1 year and 10 months after my surgery.
Bianca: How can we deal with depression when your body does not work in your favor anymore?
Darla: You have to make a plan and stay positive. I studied sports psychology quite a lot and I’ve learned that you can use your mind to overcome negative thoughts. This is exactly what I did during my recovery from surgery.
You have thoughts coming into your head like: “Oh my gosh, look at me now. How am I ever going to get back to dancing like I was before? I had surgery, I can hardly walk”.
I always had little goals – baby steps to move forward each day like little exercises in my hospital bed. I’d look forward to seeing what I can do next and I’d refuse myself to look back.
Bianca: What story inspired you the most in your recovery period?
Darla: Oh, I was looking up all the athletes who’d had hip replacements and got through it or dancers who‘d had things happened to them but made it back to the dance floor.
I was particularly impressed with an ice skater, Rudy Galindo, who had won a national title before he had two hip replacements. He went back to perform, doing his double jumps in shows.
I thought that this is so impressive! If this guy can get two hip replacements and then go back and skate on the ice, jump in the air and land on that skinny little blade, then I can certainly get a hip replacement and dance on a wood floor.
Bianca: My favorite part of the book was when you talk about the moment you returned to watch the Ohio Star Ball after your surgery and you realized that your weakness can make you stronger. What can a dancer who has never been injured learn from this episode?
Darla: You just always have to turn a negative to a positive. People might think: “Oh my God, she just had a hip replacement, she must’ve lost her strength. She’ll go out there with a titanium hip against all those strong ladies”.
But I thought just the opposite: ‘I got this strong new hip that is made of titanium, I’m like a bionic woman!”.
Bianca: As you say in your book, “a butterfly with a broken wing will only fly higher”.
Find more about Darla on her website and you can buy her book from Amazon.
The post Darla Davies: Who Said I’d Never Dance Again? appeared first and you may read completly on Dancesport Life.
Doctor in Psychology Shatters The Male Dancer Stigma
A while ago, we interviewed Dr. Peter Lovatt. He is a Dance Psychologist and set up the Dance Psychology Lab at the University of Hertfordshire and is currently a lecturer on Performance (Dance) Psychology at the Royal Ballet School.
Why should you be interested in what he has to say? Because he is making us understand more about the taboo subjects of this industry such as self-esteem and the stigma that society sheds upon male dancers.
This article is based on my podcast interview with Dr. Peter Lovatt. If you want to listen to the whole interview you can follow this link.
Sexuality & Dancing
Ballroom (standard) dancing is known for being elegant and glamorous, whilst Latin dancing is a pure representation of sensuality and flirtatious attitude. This, in addition to the technique used in these types of dances, especially the hip action in Latin, made some people consider that if you are a dancer you must have a certain sexual orientation.
Today, as the LGBTQ community is fighting for their rights, people are being more educated in this sense. Consequently, the bullying of male dancers has decreased compared with let’s say the 70s.
Dr. Peter Lovatt shared with us that he received a lot of insults, especially in the 70s for being a dancer. People made assumptions that because he was engaged in dance, therefore he must’ve had a certain sexuality and people use that as a way of insulting him.
The sad thing is that, even if the situation is improving, this sort of bullying still exists: both if you are part of the LGBTQ community or/and if you are a dancer.
“The Manly Men”
Besides the sexual orientation preconception that people tend to have towards dancers, there is also the unfounded idea that dancers are not manly enough, compared with other men that do rugby or football.
Dr. Peter Lovatt shared with us a quite sad encounter (in my opinion) with a rugby coach in Manchester. He was trying to help the players, by using dancing as a tool, to become more agile, flexible, faster runners, and have more spatial awareness. The comment that Dr. Peter Lovatt received from the coach was that he expected dancers to be “lesser men”.
This idea comes from the fact that people tend to believe dancing does not require much physical preparation or that dancers’ bodies do not need to be strong. Or all of us know that this is completely untrue.
Dancers go through many physical preparations: workouts, stretching, building certain types of muscle, stamina practice and the list goes on.
Dr. Peter Lovatt remembers when he worked on Strictly Come Dancing, dancers and the sportsmen who were part of the show would compare their six-packs and do little competitions to see who can do more push-ups or sit-ups.
People need to be aware of the fact that besides being an art form, dancing is also a sport. If you want to use your body to do certain movements, you have to also prepare physically.
High Testosterone = Good Male Dancer
Especially in Western cultures, high testosterone is linked to hyper-masculinity. We have this image ingrained that sportsmen have a high level of testosterone, hence they’re powerful. And not only sportsmen, but also those men who are considered “alpha males” like Wall Street bankers.
But Dr. Peter Lovatt presents us with some studies showing that high testosterone men are amazing dancers, very good at grooving freestyle. So it seems that being a good dancer is also related to having high testosterone.
So this preconception on dancers not being masculine (not having enough testosterone) is completely false. On the contrary!
Now, we can point out one very obvious socio-cultural aspect that can influence people into thinking that dancing is only for girls.
Have you noticed when walking past a dance shop you only see little pink tutus and leotards meant for little girls and teenagers? You never see something for boys! This obviously reinforces this unhealthy idea that dancing is not meant for boys as well.
If you are a male dancer (a boy, a teen, or even a grown-up) don’t let the mean remarks and stigma get to you, whether you are or aren’t part of the LGBTQ community.
You keep on sharing your artistry through dancing!
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Why Do Dancers Love The Blackpool Dance Festival So Much?
For most of the dancers, May is a synonym for The Blackpool Dance Festival. This year it would have been the 95th celebration of this prestigious event and its 100 years anniversary. It is for the first time in history when the Festival has been postponed; the event was cancelled for 5 years during the Second World War.
On Saturday, it would have been the start of the Blackpool International Congress. Last year the theme was “Concept of Art”. On Monday it would have been the start of the last week of competitions, everyone being excited for the Amateur & Professional finals.
Because The Blackpool Dance Festival is deeply ingrained in our soul as well, we decided to share with you some reasons why dancers love this event so much.
You can also see the full answers in the interviews we had last year with these amazing dancers, on our YouTube channel.
It must be truly out of this world to experience a win at The Blackpool Dance Festival. And by win I am not necessarily thinking about winning the competition. Maybe for someone a win is to get to the next round, into the semifinal or final. As Ferdi Iannaccone puts it: “Your whole life you hope that one day you do a good result here in Blackpool.”
For example, Dorota Rusu remembers with great fondness the Team Match from 2018. Troels Bager is keeping dear into his heart when he & Ina won the Under 21 and when they got into the Amateur Final and won it. Also a big win for him was when they turned Professional and they made it into the Final straight away.
The Empress Orchestra lead by Mr. Ashley Frohlick is for sure a trademark of this prestigious event. There is no Blackpool without its music!
Ina Jeliazkova gets goosebumps even now when she thinks of the time when Mr. Ashley Frohlick came out with the Casino Cha-Cha for the first time. Her and Troels had this side-by-side piece in their Cha-Cha routine and they hit exactly the music phrase. She told us that the audience went absolutely crazy!
We all need to remember that your idols have idols as well and in Blackpool, you get to perform in front of them! All the biggest legends have each year the same seats in the front rows. You get to see great dancers on every square meter of the Winter Gardens.
Valerio Colantoni told us this story and it must be one of the most amazing ones I’ve heard so far:
Troels had almost the same experience as Valerio. In the night they got into the final of Professional Latin, Michael & Joanna announced their retirement.
But Domen Krapez makes sure to remind us that these legends are still human beings. They all know what the pressure of dancing in front of your idols means and that is why they show support. Even if they are the biggest legends, they always stand up at the last dance of the final, clapping & cheering.
Without doubt the atmosphere in the Winter Gardens is absolutely addictive. There is an energy in that ballroom that fills your heart and takes you over. But where does this energy come from?
I dare say that I agree 100% with all of these great dancers. Those stairs, the smell, the legends from the front row who ALWAYS sit in the same place. The beauty of the Empress Ballroom and the music that the Empress Orchestra plays are absolutely fairytale-like. But I think the best thing about The Blackpool Festival is the audience: the clapping of thousands of people who share the same passion – dancing. You absolutely feel alive!
How about you? What’s your favorite thing about The Blackpool Dance Festival?
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Image Studios in Dancesport: Is Perfection Too Much?
Dancesport is about beauty, harmony, elegance, and style. Details play such an important role, and dancers have become increasingly aware of their overall look on the floor. Nowadays it is impossible to think of going to a competition without first booking a professional hairstylist and makeup artist.
The Importance of Your Look
Dancers have sought after the perfect look since day one. Dresses, shoes, tail suits—everything—had to be flawless, especially for the main events of the year. But for the top couples, a perfect image wasn’t enough. It had to be distinct, unique.
Champions not only put on a stunning performance with their talent, charisma, and innovative routines; they also make the spectators fall in love with their unique looks.
Creating a unique look takes time, creativity, and talent. All these great couples want to show something that others hadn’t even thought about. That can be something super “extra,” or perhaps the exact opposite, showcasing a “less is more” approach.
Self-Styled Hair and Makeup
These days, it is difficult to imagine that dancers used to do their own hair and makeup. Even for people who began dancing over ten years ago, it’s impossible to imagine dancers ever having done their own hair and makeup.
Then, there were only a few ladies—mostly the top dancers—who had their hair and makeup professionally done. But in most cases, you were on your own!
And I’m talking about the days when YouTube tutorials weren’t a thing. You had to develop a solid set of skills if you wanted to rely on yourself. If not, you relied on the support of your partner (not the best idea ), your mother, or a fellow competitor.
The Birth of Image Studios
What was once unimaginable is now a reality: professional hairstylists and makeup artists (MUAs) for dancers whenever they are desired, otherwise known as image studios.
It started with just a few stylists working from small areas in nearby hotels or simply alongside the competition floor. But soon enough, they developed into huge, on-site workspaces where ten or fifteen dancers could be styled at the same time.
The concept exploded over a few short years and the demand became immense. Just imagine: you can book a space a few hours before your first round. You can finally sleep without any stress, knowing that a professional will be responsible for creating your look. You’re off the hook!
In the beginning, this special service was only available at the main events of the year. Now, we have at least one image studio at every competition. Even though the price increases yearly, it doesn’t seem to stop dancers from booking professional hairstylists and MUAs. Dancers quickly got used to having someone else taking care of their hair and makeup, and now simply cannot imagine life without them. Let’s be honest: For boys, it’s just a matter of not looking lazy… But for girls, this has been the best thing in the world!
Being Perfect, or Perfect Copies?
Where at the beginning, only the top couples showed off a perfect, professionally styled look, today almost everybody has perfect hair and makeup. And not only in the adult category; even children choose image studios.
It’s easy to see why dancers are choosing image studios. Spectators enjoy it, parents feel extremely proud, and teachers never have to worry about how their students will look. The results are stunning.
But let’s just step back a bit and think a little more deeply.
What do adjudicators look for? The competitors who stand out from the crowd!
On one side, image studios create the best look for you, but on the other side, everyone achieves this same level of “perfection”—the same look. Obtaining that level of “perfection” used to be unique, but it has become quite common.
Nevertheless, this can only be a reason to challenge the dancers and the stylists to research. Be innovative and creative. The beauty of dancesport is to show character and personality and your look should help you achieve that.
Tell us how you make your look unique in the comments section!
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